Many people are familiar with John Steinbeck’s Of Mice and Men either as admirers of the American literary giant or having studied it at school.
The story is centred around the unlikely coupling of George and his mentally disabled companion Lenny – a gentle giant unaware of his own strengt.
They are bound together by a mutual dependence and both harbour an unattainable longing for a utopia in which they will have a place of their own, where they will rear chickens, tend rabbits and live off the the fat of the land.
Steinbeck is rightly revered as a champion of the downtrodden and oppressed giving a voice to the poor and migrant workers of the American dustbowl.
You might say that you can’t go wrong with the the classic ingredients of a Steinbeck story – but you can if you mess about with those ingredients.
I’m not sure whether it is the result of the interpretation in this production at the Opera House or whether it was down to Steinbeck himself, but there were some strange departures from original text.
Fortunately the heart of the play, which relies on the relationship between exasperated George and his companion is not lost.
And the performances by Richard Keightley (George ) and Matthew Wynn as Lennie are touching, with well crafted portrayals of the elderly Candy from Andrew Boyer and Crooks from Kevin Mathurin
But Curly’s Wife, trapped in a world she is desperate to escape, is given new lines and different edge to her character that doesn’t quite fit. Rosemary Boyle does well with what she’s been given in this production, but what she’s been given is not the Curly’s wife I remember. In this version before the inevitable tragic encounter with Lenny, she has suitcase in hand and is ready to leave. But the Curly’s Wife I know would never leave. She is trapped.
But although this show could have been better in my view, it maintains the heart and soul of Steinbeck’s story and is certainly worth seeing.
Runs till Saturday.
Police are appealing for witnesses to a crash in Wythenshawe which left a man seriously injured.
The crash happened at 12.20pm on Thursday 15, when a silver Skoda Rapide and a silver Honda NES scooter were in collision on Walney Road at the junction with Woodhouse Lane.
The Honda scooter was travelling along Nearbrook Road as the Skoda Rapide travelled along Woodhouse lane before they collided at the crossroads.
The 29-year-old man riding the Honda scooter was taken to hospital where he is currently being treated for a facial fractures and other serious injuries.
The driver of the Skoda remained at the scene to speak with officers.
No arrests have been made.
Police Constable Philip Shaw of GMP’s Serious Collision Investigation Unit, said: “My thoughts are with the man as he receives treatment in hospital and I would urge anyone who witnessed this collision to please get in touch.
“Road closures were in place for over five hours while investigation work was carried out and our enquiries to establish the full circumstances surrounding the collision remain ongoing.
Anyone with information or dashcam footage should contact GMP’s Serious Collision Investigation Unit on 0161 856 4741 quoting reference number 813 of 15/02/18 or the independent charity Crimestoppers, anonymously, on 0800 555 111.
When a legendary classic comedy like Dad’s Army is brought to the stage a by an amateur theatre fans of the show can’t help being a little apprehensive.
But DON’T PANIC – this production by the Northenden Players is a superb recreation of the 1970s sitcom featuring the hapless misadventures of the Walmington-on-Sea home guard platoon in their efforts to defend the nation from the heel of the Nazi jackboot.
This is a very ambitious show and you have to salute the bravery of anyone who would attempt a homage to a comedy institution still shown on TV today.
But thanks to a strong cast and effective use of sets which enables swift scene changes, the Players pull it off admirably.
Everyone contributes to the success of the show, but at the centre of it all is an uncannily accurate portrayal of the pompous but heroic Captain Mainwaring.
Bill Platt just is Mainwaring and it is no exaggeration to say his performance is probably the closest thing you’ll to the brilliant Arthur Lowe’s rendition on TV.
The production comprises three classic episodes – The Deadly Attachment, featuring one of the most repeated lines in comedy history; Mum’s Army; and The Godiva Affair – rounded off with an hilarious attempt by the platoon at rendition of The Floral Dance.
The cast work well together to serve up a comedy treat and will not disappoint fans of the programme. The interplay between Mainwaring and his posh effete Sergeant Wilson, played by Peter Bowers is wonderful.
And Cyril Walker and David Hunt delight in the roles of doddery veteran Lance Cpl Jones and dour Scotland Private Frazer.
It is a hoot from start to finish and a great night out.
Runs till Saturday Feb 17.
A Wythenshawe conman who tried to persuade holidaymakers to part with their cash, claiming he needed it to visit a sick relative, has been jailed.
For those familiar with Arsenic and Old Lace, it is usually the classic film starring Cary Grant which springs to mind.
This makes bringing the story to the stage somewhat of a challenge for any theatre company.
But it has to be said that the Northenden Players have pulled it off with aplomb, with a production which rivals some professional efforts I have seen.
For the benefit of those not familiar with the story, originally penned by playwright Joseph Kesserling, it tells the tale of two sweet old ladies whose mission it is to help sad, lonely old souls escape the sorrows of the world by slipping arsenic in their elderberry wine and burying them in the cellar.
They are aided and abetted in their madness by their barmy bugle playing brother Teddy, who is convinced he is Theodore Roosevelt. Caught up in all this is Mortimer Brewster, who appears the only sane member of the family and attempts to protect his aunties with hilarious results.
With twelve bodies buried in the cellars the plot thickens when Mortimer’s long lost criminally insane brother Jonathan arrives with a thirteenth.
It all sounds completely bonkers. It is, and it’s brilliant.
Rosemary Mark and Lesley Bowers are superb as the two nutty sisters with expert comic timing and Robin Bell also makes a wonderful Teddy.
John Wheatley also delivers the laughs and the menace as Jonathan and there is a lovely interplay between him and plastic surgeon sidekick Dr Einstein played beautifully by Tim Collier.
At the centre of it all Ben Thomas is very good as Mortimer, delivering some of those classic lines, my favourite being “madness runs in our family, it practically gallops.”
This is a wonderful pre-Christmas treat and you just have to time to catch it . The last show is tonight Saturday December 16 at Northenden Methodist Church Hall on Victoria Road.
Agatha Christie’s classic whodunnit, the Mousetrap is back in Manchester this week as the show celebrates its 60th anniversary.
Famous across the world for being the longest-running show of any kind in the history of theatre, with over 26,000 performances in London, you can see why it has endured. Read More…